The Guide : Themes.

 












The Guide : Themes.


R. K. Narayan is primarily concerned with man's existence in the cosmos. His concern is human destiny, and he discusses man's position in the world, his interpersonal interactions, and the life of man in relation to human relationships. R.K. Narayan's writings reflect his thorough observation of Indian social life. His work "The Guide" contains several important Themes :

 

Hypocrisy

Hypocrisy is a prominent subject in the work. Raju has been an immoral guy since the beginning of his existence. As a tour guide, he misinforms people at will, as if he had no concept of right and wrong. His remarks raise ordinary old structures to the status of ancient wonders of architecture while lowering incredible historical accomplishments. As a tour guide, he tells whatever stories he wants.

 

He assists Rosie just for his personal benefit and eventually pretends as a swami, showing his fraudulent character. However, according to the Hindu idea of karma, Raju will eventually reap the consequences he deserves. He loses his power and money and is forced to fast, nearly dying. He seemed to understand that hypocrisy is ethically poisonous and will ultimately catch up with anybody.

 

 

Dishonesty

Raju, the protagonist, has always been dishonest. As a youngster, he chews green peppermints from his father's business despite being sternly banned to do so. Growing up, he becomes a tour guide who deceives and misleads his customers in order to extract more money from them.

 

He misleads Rosie into falling in love with him by telling her everything she wants to hear. He receives a two-year jail term for forgery. After being released from jail, he disguises himself as a sage in an old temple distant from his hometown. Even though he is fasting, he consumes a stack of food disguised in a metal pot on the first day. Raju's dishonesty runs deep, and it is not until the conclusion of the story that he has to face up to it.

 

 

Materialism 

Raju is a highly materialistic individual who just cares about money and places no emphasis on emotions or feelings. He just cares about getting money from others. He has no sense of morals or religion, which allows him to worry entirely about material goods without difficulty. For him, money is more important than people, and he feels like a failure if he is not making the most of it.

 

Finally, his activities bring him to a point where money is no longer reachable, and he must adjust to his new situation. Narayan contends that money does not, in fact, provide happiness, and that people should exercise wisdom when valuing money over other things.

 

 

Feminism

Narayan is not a "feminist" writer, yet his character Rosie exemplifies what current feminists advocated for. Rosie is an intelligent lady who makes her own decisions. First, she takes the traditional road of marriage, but she does so to liberate herself from caste limits.

 


She does her best to maintain her selfhood in a miserable, patriarchal marriage, and while she is at her lowest point when she allows Raju to manipulate her into a relationship . she eventually allows this to serve as a springboard to achieving her great dream of becoming a dancer. In the end, she takes care of herself by letting go of Raju and all other baggage and live her life as she chooses. She isn't the ideal feminine protagonist, but she is a very contemporary lady.

 

 

A Compromise between Moral and Aesthetic Values

To summarise, the work strikes a balance between educational and aesthetic aspects from a thematic perspective. The book attempts to express some values in a very lovely manner: the negative consequences of immorality, the people' blind faith in paying devotion to fake Swamis, and the evil of commercialization are all mentioned indirectly.

 

The goal is to educate and entertain, to instruct and amuse. The morals, on the other hand, are revealed in a softly suggestive manner rather than plain. The artist did not provide the conclusions; we learned about them at the end of the novel.

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