6. SAMUEL RICHARDSON.


 T.Y.B.A. (ENGLISH)                                            

  SEM : 5                                                                 

  CCE : 14                                                               


                                                                                                                                                                                                                               

 



 









✔ SAMUEL RICHARDSON (1689-1761)

๐Ÿ‘‰ His life.

Richardson was born in Derbyshire. He was the son of a joiner and was hired as a London printer. He became a great printer, produced the House of Commons journals, and was appointed printer to the King. He was kind and well-liked. "Richardson was the first English novelist," says Sir Edmund Gosse, while Henry Fielding is "the greatest of English novelists." Hundreds of novels of all genres were written between 1740 and 1800. The true "masters" of the novel in the eighteenth century, however, were four men: Samuel Richardson, Henry Fielding, Tobias Smollett, and Laurence Sterne. Which are commonly referred to as the "four wheels of the English Novel." Samuel Richardson passed away on 04th July 1761, in London, England.

๐Ÿ‘‰ His Novels.








Richardson began writing fiction when he was thirteen years old. He penned love letters to three uneducated young women. This practise served him well later on. When he wrote his first novel, Pamela, or Virtue Rewarded (1740), he was over fifty years old. The novel is written in the form of a series of letters and follows the fortunes of Pamela, a poor and sacred maid who resists, then marries and eventually reforms her evil lord. The work became instantly famous, and four editions were released in the first six months after its release. The characters, particularly the main female character, were gradually but precisely constructed during the gradual construction of the simple plot, which was novel to readers at the time.





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Clarissa Harlowe (1747-1748), Richardson's next novel, was again written in the form of letters. Men's betrayal, as depicted in the tragedy of the heroine, who is persecuted by the malevolent Lovelace. Clarissa Harlowe exemplifies Richardson's personality throughout his masterpiece. Many of the smaller characters, including Clarissa, are finely depicted, with Richardson's typical attention to minute psychological study. The story has a great emotional appeal and is notable for how it establishes a sense of inevitability in its tragic conclusion.



Sir Charles Grandison (1753-54), his third and final work, was also written in letter form and dealt primarily with people from upper social classes. Richardson considered naming the novel A Good Man, since he envisioned the hero as a model of manly traits. The book was written in response to Henry Fielding's 'The History of Tom Jones, a Foundling', which mocked Richardson's earlier works' morals. This book, supposed to be his masterwork, is the most hollow of the three. 

๐Ÿ‘‰ Features of his Novels.

Richardson’s works are largely the reflection of the man itself, and in spite of their faults and limitations, are of immense importance in the development of the novel.

๐Ÿ‘‰A)  Moral Purpose.

His virtue is utilitarian rather than fanatical, and its reward is material riches. His epistolary works transformed everyday facts into grand dramas of moral decision-making. Believing in God's direct intervention, Samuel Richardson penned Pamela as an illustration of the value of moral behaviour.

 

      ๐Ÿ‘‰B)   Extremely Long.

Because the epistolary method required several repetitions or slightly different versions of the same incident, the books are extraordinarily extensive. The stories are simple and weak to develop, and the novels are generally shapeless.


 ๐Ÿ‘‰C)  Use of minute details.

Richardson’s works are filled with minute details about both characters and incidents. He is an expert in the intimate examination of purpose and emotion, which gradually creates a complete and convincing character, and  he fills in his sketch with plenty of little strokes.     

       ๐Ÿ‘‰D)  Characterization.

Richardson's biggest strength is his characterization. His psychological knowledge of human motives and sentiments, particularly his understanding of the feminine heart. Clarissa is his most memorable character, yet each of his novels features a wider range and variety of people. His representation of lower-middle-class characters, whom he creates with tremendous authenticity.

 

          ๐Ÿ‘‰E)   Sentimental.

Richardson's writings have a genuinely sentimental appeal to the heart and occasions, as in the lengthy narrative of Clarissa's impending death.



๐Ÿ‘‰ LITERARY WORKS OF SAMUEL RICHARDSON.

๐Ÿ‘‰Novels.

Pamela; or, Virtue Rewarded (1740–1761)

Pamela in her Exalted Condition (1741–1761)

Clarissa, or, the History of a Young Lady (1747–61)

Letters and Passages Restored to Clarissa (1751)

The History of Sir Charles Grandison (1753–1761)

The History of Mrs. Beaumont – A Fragment

 




                                                     Work cited

 

Albert, Edward. History of English literature, Oxford University Press, 1979.

 

J Long, William. English Literature Its History and Its Significance for the Life of the English Speaking world. Rupa Publications, 2015.

 

Carter, Ronald and John Mcrae. The Routledge history of literature in English : Britain and Ireland. Routledge, 2016.

 

 

 


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